Digital Artist

  • Aditi Aggarwal

    Aditi Aggarwal (b. 1987, New Delhi) is a visual artist whose practice spans digital photomontage, painting, collage, and alternative photographic processes. She holds a PhD in Visual Studies from the University of Delhi (2023) and is a recipient of The Odyssey Fellowship by The Alternative Art School (2024). Her projects include the Future is Born of Art commission by India Art Fair and BMW India (2023) and the Indo-European Residency Project, Kolkata (2019), organised by the British Council, Goethe-Institut/Max Mueller Bhavan, and Alliance Française du Bengale. Her solo exhibition Recent Works (2016) was curated by Amal Allana at Art Heritage II, New Delhi.

    Aditi’s practice examines the layered conditions of contemporary life shaped by fragmented urbanities, ecological memory, and overlapping temporalities. Treating image-making as both archival and durational, she works through slow, repetitive, and physically enduring processes of layering, erasure, and return. Through muted palettes, grids, and subtle interventions, hand-drawn or embroidered, she explores tension, ambiguity, and affect. Her works hold space for dissonance rather than resolution, functioning as evolving documents of time, endurance, and emotional states. She lives and works in Delhi NCR and co-runs Studio A89, Kaladham, an artist-led space dedicated to painting and analogue image-making as contemporary inquiry.

  • Āyāhi

    Āyāhi is an experiential art atelier that merges light, sound, movement, and data to create immersive sensorial environments. Working across generative digital art, interactive installations, audiovisual performances, and theatrical productions, the studio uses technology as a creative instrument to expand the possibilities of artistic experience. Their practice often engages conceptual and abstract themes that resist conventional art forms, positioning new media as both language and methodology.

    Founded by Mrityunjay and Vinay, creative practitioners from music, performance, technology, and digital art, Āyāhi explores how new media can enter global cultural lineages. Drawing from the confluence of Western scientific-technological thought and Eastern philosophies of being and spirituality, their work transforms diverse lines of inquiry into embodied artistic questions. Together, they build bespoke audiovisual worlds that challenge perception, explore material and immaterial states, and rethink how contemporary art can hold space for evolving modes of experience.