Aditi Aggarwal (b. 1987, New Delhi) is a visual artist whose practice spans digital photomontage, painting, collage, and alternative photographic processes. She holds a PhD in Visual Studies from the University of Delhi (2023) and is a recipient of The Odyssey Fellowship by The Alternative Art School (2024). Her projects include the Future is Born of Art commission by India Art Fair and BMW India (2023) and the Indo-European Residency Project, Kolkata (2019), organised by the British Council, Goethe-Institut/Max Mueller Bhavan, and Alliance Française du Bengale. Her solo exhibition Recent Works (2016) was curated by Amal Allana at Art Heritage II, New Delhi.

Aditi’s practice examines the layered conditions of contemporary life shaped by fragmented urbanities, ecological memory, and overlapping temporalities. Treating image-making as both archival and durational, she works through slow, repetitive, and physically enduring processes of layering, erasure, and return. Through muted palettes, grids, and subtle interventions, hand-drawn or embroidered, she explores tension, ambiguity, and affect. Her works hold space for dissonance rather than resolution, functioning as evolving documents of time, endurance, and emotional states. She lives and works in Delhi NCR and co-runs Studio A89, Kaladham, an artist-led space dedicated to painting and analogue image-making as contemporary inquiry.

Āyāhi is an experiential art atelier that merges light, sound, movement, and data to create immersive sensorial environments. Working across generative digital art, interactive installations, audiovisual performances, and theatrical productions, the studio uses technology as a creative instrument to expand the possibilities of artistic experience. Their practice often engages conceptual and abstract themes that resist conventional art forms, positioning new media as both language and methodology.

Founded by Mrityunjay and Vinay, creative practitioners from music, performance, technology, and digital art, Āyāhi explores how new media can enter global cultural lineages. Drawing from the confluence of Western scientific-technological thought and Eastern philosophies of being and spirituality, their work transforms diverse lines of inquiry into embodied artistic questions. Together, they build bespoke audiovisual worlds that challenge perception, explore material and immaterial states, and rethink how contemporary art can hold space for evolving modes of experience.

Alap is an artist and technologist interested in novel forms and structures of story-driven immersive experiences. His projects are inspired equally by creative intention and current technology. Alap's work has been shown in festivals and museums globally, including Cannes Film Festival, Sundance Film Festival, the Victoria and Albert Museum, and Orlando Museum of Art.

Antariksha Studio × Abhinav Mishra × Anirudh Kanisetti collaborate on an immersive installation that reinterprets India’s cultural past through future-facing media. Bringing together transmedia art, public history, and mixed-reality design, the project bridges ancient narratives with speculative technologies, blending research and storytelling to create an experience rooted in heritage, decolonial thought, and contemporary cultural inquiry.

Cursorama is a media artist exploring the convergence of nature, technology, and metaphysics through generative video art and interactive systems design. His work spans across live audiovisual performances and immersive multimedia installations that evoke synaesthetic sensory experiences. Cursorama has performed at major music and art festivals and presented works at exhibitions and cultural spaces in India and beyond. Previously, he co-founded Ocupus Studio, a Goa-based new-media practice specializing in projection mapping and interactive installations.

Artists Murthovic and Thiruda lead 'Elsewhere in India', a collaborative electronica and transmedia project uniting artists, technologists, and cultural preservationists. Their multidisciplinary team merges expertise in digital art, traditional Indian performing arts, new media, and cultural studies. Using tools like game engines, motion capture, and AI, they craft vivid realms where cultural legacy meets futuristic scenarios. Their mission is to reimagine cultural narratives bridging India's rich past with speculative futures.

Karan Parikh runs the Green Rain Studios, a creative-technology studio and India’s first Unreal Authorized training center with deep expertise in Generative AI, Unreal Engine, and virtual-production workflows. They offer industry-focused solutions for film, animation, digital twins, XR, automotive, and immersive experiences and training programs that help other studios adopt real-time tech. Their work has been showcased on Netflix, Hollywood and Bollywood film and TV shows, as well as global media art forums for interactive work.

Trisha is a self-taught artist and creative coder working across AR, VR, and generative systems. Her practice explores the intersection of technology and nature, blending computational logic with the organic spontaneity of living systems. Deeply inspired by themes of climate conservation, cultural digitalization, and the intelligent patterns found in nature, her work embraces unpredictability and generative evolution. She seeks to revive traditional forms and invite new ways of experiencing art in everyday environments. Trisha has collaborated on internationally recognised projects through roles with ARTECHOUSE, Microsoft Mixed Reality Team, Phoria and the UK Government for Dubai Expo. Originally from Bhilwara, Rajasthan, she is currently based in Bengaluru.