Ankit Dey is a new media artist based in Kolkata whose practice transforms space into a living, sensorial medium. Trained as a painter at the Government College of Art & Craft, Calcutta (BFA and MFA), Dey brings a deep engagement with light, shadow, motion, and materiality into his spatial interventions. His work sits at the intersection of installation, technology, and phenomenology, creating environments that are immersive, ephemeral, and perceptually charged.

Recent presentations of his work include exhibitions at CIMA Gallery and the Birla Academy of Art and Culture, Kolkata. He is currently developing The Moment Before Infinity, a large-scale interactive installation premiering at Jaipur Art Week 5.0. For Dey, the artwork extends beyond objects, becoming an experiential field where technology, material, and memory converge to reshape the viewer’s ways of sensing the world.

Ansh Kumar is a contemporary artist based between Delhi and Rishikesh whose multidisciplinary practice explores play, perception, and the human traces that shape our world. Trained in architecture and self-taught across new media, projection mapping, sculpture, and natural building, he sees art as the “vocal cord” of society—accessible, expressive, and deeply connected to everyday life.

His public-facing projects, including Project the Window and Mind Blowing, transform streets and open spaces into sites of curiosity and interaction. As co-founder of Tiny Farm Lab, he integrates art, design, science, and bio-materials, creating collaborative works such as a mud house in Rishikesh built with volunteers from around the world. Ansh was recently selected for the India Art Fair Young Collectors’ Programme 2025, with his work exhibited internationally across eight countries and collaborations with Snapchat, Meta, and Adobe.

Arushee Suri is an artist and educator with an MFA from Central Saint Martins, University of the Arts London, and a BFA from the College of Art, New Delhi. Her multidisciplinary practice spans interactive installations, printmaking, painting, embroidery, and sculpture. Suri has taught printmaking to underprivileged adults in New Delhi and learning-disabled young adults in London, and has mentored residencies for the Printmaking Foundation of India (2018–19).

Her work has been exhibited across the UK, India, Singapore, Italy, the US, and Greece, at venues such as East Quay (Somerset), India Art Fair, Gillman Barracks (Singapore), State Museum of Contemporary Art (Greece), and Matts Gallery (London). Suri’s works are held in major collections including the Victoria & Albert Museum, Kiran Nadar Museum of Art, Jindal Steel, and Emami Foundation. She was the 2023 East London Printmakers Resident and a finalist for the Emerging Artist Award South Asia 2024.

Boris Colin Alphonse (b. 1992, Trivandrum, Kerala) is a multidisciplinary artist based in Baroda, India. With a dual background in engineering and fine art, his practice examines systems of measurement, representation, and ecological memory. Through speculative tools, equations, and spatial diagrams, he investigates new modes of presence and visibility, particularly within coastal and marginal landscapes.

His work has been exhibited at Chelsea Space, Tate Britain (Off Site), RuptureXIBIT, Cookhouse Gallery, and in collaborations with Tricontinental: Institute for Social Research, Paris Commune 150, and Forum Collective with Sotheby’s. Alphonse is a recipient of the UAL Postgraduate Scholarship, a contributor to Jinn Zine, and has completed residencies at Space Studio Baroda (2025) and 1Shanthiroad, Bangalore (2025). He holds a BTech in Electronics and Communication, a BFA in Painting, and an MA in Fine Art from Chelsea College of Arts, UAL.

Edgar Massegú is a multidisciplinary artist whose meteoric rise has been marked by an expansive body of work spanning performance, sculpture, painting, poetry, photography, and music. His fluid movement between the dreamlike and the empirical evokes the Renaissance ideal of the total artist. A key representative of Drap-Art, the International Festival of Sustainable Art of Catalonia, Massegú has exhibited widely across New York, India, Italy, Dubai, Shanghai, Melbourne, Madrid, Barcelona, Japan, Iceland, Tunisia, France, and Egypt, earning numerous awards across visual and performing arts.

Driven by a commitment to social and ecological transformation, his practice resembles that of an alchemist, transforming waste into powerful visual narratives that challenge injustice and environmental neglect. Recently, he has created large-scale immersive environments including the 1,000-square-metre Tinglado in Tarragona, Sarriart School, his own House-Museum, and the Kastell in Púbol. In 2024, he will present a sculpture at Federico Fellini’s Birthplace and return to the Rakart Festival in Dubai, where he previously received First Prize for Installation.

James Johnson-Perkins is a British award-winning artist whose practice has developed across Turkey, the USA, Slovakia, Italy, Nepal, Russia, Oman, China, and the UK. His work has been showcased at major institutions across Europe, Asia, and North America, including Ars Electronica Centre (Austria), Nord Art (Germany), The Emily Harvey Foundation (Venice), the Royal College of Art (London), the Chinese European Art Centre (Xiamen), Toyota Museum of Modern Art (Japan), Czong Institute for Contemporary Art (South Korea), Patan Museum (Nepal), and the Austin Museum of Digital Art (USA).

Johnson-Perkins received the Mediterranean Contemporary Art Prize – President’s Award (2021), was runner-up for the Alpine Fellowship Visual Arts Prize, and an award winner for the Art Observatory Digital Art Program. He has also been shortlisted for multiple international art prizes, including Airland 4.0 and the Passpartout Photo Prize.

Kaanchi Chopra is a nature-based artist and biodesigner whose practice explores the emotional, ecological, and material possibilities of living and discarded plant matter. She is the founder of Kohinoori, a social enterprise that collaborates with farmers and street vendors across Northern India to transform agricultural waste into sustainable paper and packaging. Rooted in research on native flora, circular design, and urban forest inequity, her work spans botanical preservation, material innovation, and large-scale plant-based archiving, including the collection of over 120 species in the past two years.

Chopra holds a BFA in Industrial Design and Sustainability Studies from RISD. Her work has been exhibited at the RISD Museum, COP28 in Dubai, Lincoln Center, Ki Smith Gallery, Gül Gallery, and No Vacancy Gallery. A TEDx speaker, she is currently an Inlaks artist-in-residence at UNIDEE, Cittadellarte in Italy.

Maya Kumari Suthar is a spatial designer and artist whose practice merges narrative design, cultural inquiry, and future-oriented thinking through research-led, multimedia approaches. Born in Rajasthan in 1995 and raised in Dubai, she carries the dual influence of desert traditions and diasporic experience, sensibilities that shape the questions at the core of her work.

Drawing from dialogues with rural communities and the layered histories of Rajasthan, Suthar examines how land use, policy, and memory construct cultural identity. Her methods span archival research, drawing, moving images, textiles, and object-making, each offering a distinct entry point into complex narratives. Through immersive spatial interventions, she challenges singular perspectives and cultivates plural ways of seeing, sensing, and understanding the worlds we inhabit.

Mohd. Intiyaz is a Delhi-based visual practitioner whose work navigates memory, displacement, social disparity, and the politics of control. Born in Sahibganj, Jharkhand, he migrated to Delhi at a young age, growing up in the unstable conditions of the city’s slums, experiences that continue to anchor his artistic inquiry. His practice draws from everyday negotiations shaped by marginalisation, using lived realities as both subject and material.

Working across murals, drawings, installations, and assemblages, Intiyaz incorporates found objects, upcycled textiles, and sack cloth to examine public life and collective behaviour. His compositions, dense with figurative forms, layered patterns, and elements inspired by Delhi’s flora, fauna, and architecture, critically engage with the dynamics of crowds, power, and belonging. Through this visual language, he questions dominant attitudes while imagining alternative futures grounded in plurality and shared resilience.

Michael Shaw is a sculptor, curator, and educator with over 20 years of professional experience. He lectures in Fine Art at Loughborough University, UK, and served as the curator of the Burghley Sculpture Garden from 2005 to 2025 while simultaneously creating large-scale, site-specific inflatable sculptures in response to museum collections.

Shaw has presented multiple solo exhibitions across the UK and participated in group shows throughout Europe, the US, and Asia. His work has been featured at the Sydney Festival, the Balloon Museum US Tour, the V&A London, CICA Museum (Korea), and RAMM Exeter, among others. Complementing his exhibitions are numerous public commissions, residencies, and projects. Shaw holds a practice-based PhD (2005) exploring Donald Judd’s sculptural concept of Specific Objects, a foundation that continues to shape his integrated approach to making, curating, and teaching.

Natasa Galecic (b. 1986, Belgrade, Serbia) is an artist, traveler, explorer, and educator based in Germany, whose practice is shaped by movement across cultures and environments. She holds a BFA in Painting from the Faculty of Fine Arts, Belgrade, and an MFA in Studio Art from Moore College of Art & Design, Philadelphia. Since 2022, she has been a Certified Practitioner of the Fractal Drawing Method.

From 2012–2014, Galecic worked with the Mural Arts Program in Philadelphia, developing expertise in public art and community engagement. Since 2020, she has led expressive art sessions for children both online and in person, supporting creativity and problem-solving, particularly among highly sensitive children and those with attention disorders. She is also the founder of Hosmology, a project reimagining the role of artists and curators in hospital environments. Galecic has participated in residencies across Serbia, Ireland, India, and Zambia, and has exhibited in more than ten countries. Her works appear in public and private collections in Austria, Ireland, India, the USA, Serbia, and Zambia.

Navya Sah and Shreeya K Agarwal are multidisciplinary artists whose practices intersect film, sound, movement and immersive performance. Navya Sah is a filmmaker, educator, yin yogi and entrepreneur working across film, sound and performance. Her sound-led films have travelled internationally to platforms such as the Berlinale, Busan International Film Festival, MAMI, Hot Docs, Sheffield Doc/Fest and Film Southasia. She teaches film and communication design at institutions including Azim Premji University and Arch College of Design and Business, runs her independent media firm Window Works Media, and is a long-term filmmaker consultant with UNICEF, focusing on socially engaged docu-fiction. Shreeya K Agarwal is a movement artist, dancer and founder of Maah Space, Jaipur, a movement art centre hosting residencies, workshops and community exchanges. Her practice is rooted in somatic movement, site-specific and participatory works that blur the line between viewer and performer, with presentations at Serendipity Arts Festival, Jaipur Arts Week and Science Gallery Bangalore.

Pascal Ungerer is an Irish visual artist specialising in oil painting, whose practice explores spatial cultures with a particular focus on peripheral and transitional landscapes. He holds a BA in Fine Arts (Hons) from MTU Crawford College of Art and Design (2016) and an MFA from Goldsmiths, University of London (2018), where he received the Goldsmiths Masters Scholarship, MFA Fine Art Fee Waiver, and the Goldsmiths Excellence Award.

Ungerer has exhibited widely across Ireland, the UK, and Europe, including at the Saatchi Gallery, Roman Road Gallery, The Visual Centre for Contemporary Art, CICA Museum (South Korea), and Blackburn Museum. His solo exhibitions include Speculative Artefacts (2023) and Other Ground at The LAB Gallery, Dublin (2025). A shortlisted finalist for the Robert Walters UK New Artist of the Year Award (2023), he has also received numerous awards, prizes, and Arts Council funding from across Ireland and the UK.

Poojan Gupta (b. 1998, Jaipur) is an artist working between London, Oxford, and Jaipur, with a multidisciplinary background spanning contemporary art, design, philosophy, and medical science. Her practice centers on the transformation of discarded pharmaceutical blister packs, exploring how everyday waste can be reimagined through material, cultural, and ecological inquiry.

Drawing on minimalist aesthetics, environmental consciousness, and the ritualistic forms embedded in her cultural memory, Gupta creates large-scale sculptural installations that elevate the disposable into the numinous. In her work, these once-forgotten objects gain presence, value, and symbolic resonance. Ultimately, she sees her practice as a call for shifting sensibilities—inviting viewers to reconsider materiality, care, and the quiet narratives held within the mundane.

Riyaz Uddin is the Master Miniature Artist at the Pink City Studio, established in 1996 by Alexander Gorlizki in Jaipur, Rajasthan. Working alongside Gorlizki and Riyaz’s students and assistants, the Pink City Studio has evolved over the past 27 years into an association of artists dedicated to the 700-year-old miniature tradition. While the materials, techniques, and meticulous brushwork remain true to their origins, the new whimsical narratives, forms, and patterns expand the boundaries to reflect a visual language spanning history, geography, and cultures. Within these works, different schools of miniature painting coexist with classical Western references, pop and cartoon imagery, often with a fluid transition between figuration and abstraction.

Zoya Chaudhary is an India-born, Singapore-based artist whose practice explores perception, subjectivity, and memory through non-narrative, materially driven forms. Working across installation, cut-out collage, drawing, and painting, she examines how cultural, physical, and temporal vantage points shape the way we see, often disrupting familiar patterns and archival material to question stability, meaning, and the intimacy of knowing. Her interest in pluralistic systems, rooted in her upbringing, unfolds through geometric forms and spatial interventions that challenge conditioned modes of perception.

Zoya completed her Applied Arts degree in Mumbai in 2005 and later worked as a visual artist, designer, illustrator, and theatre designer in India. Since moving to Singapore in 2011, she has exhibited widely across Asia and internationally. In 2021, she earned an MA in Fine Arts from LASALLE College of the Arts, receiving the Dr. Winston Oh Travelogue Award. Her works are held in private collections worldwide, and she was a finalist for The Arts Family TAF Award 2024. She is represented by Blueprint 12 Gallery, India.